![]() ![]() Similarly, the punchlines that have become NoCap’s lyrical calling card are inconsistent. Towards the end of the project, NoCap croons about “F-150s and Durangos” on the hook of “Country Boy,” a strange song that feels generic and cliché in its references. “Still Me” is a skillful combination of confessional and catchy writing, “Take Care” is a rare instance of carefree joy amidst the pain songs, and “Heaven Gates” offers a slowed-down moment of introspection: “Mark ain’t never comin’ home, he tried to kill the police/I know the police comin’ home if he ever kill me.”Īt times, the chords and riffs begin to feel forced. Seven of The Hood Dictionary’s 16 songs feature prominent guitar melodies the results are among some of the project’s most memorable moments, allowing NoCap to find the pocket where he’s clearly most comfortable. The two rappers share a twangy vocal register and a love of guitar loops, but NoCap takes the latter to an extreme. Most listeners outside the region likely first heard NoCap on Lil Baby’s Street Gossip mixtape in November 2018. And while the project-NoCap’s second full-length of the year-is an effective showcase of his developing strengths as a singer and storyteller, it primarily serves as a timestamp of this moment in his career rather than as a significant step forward in his catalog. For NoCap, The Hood Dictionary is a mixtape-length “First Day Out,” as he elaborates on traumatic experiences in Mobile, the circumstances that landed him in jail, and his wins in spite of it all. A decade removed from Gucci Mane’s “ First Day Out,” the celebratory freedom song has become a rap-industry standard, an opportunity for artists to address their fans and capitalize on increased attention.
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